Recently I watched both
The Dark Knight as well as the 1989's
Batman. I've been wanting to watch
Batman since
Batman Begins came out in 2006, but hadn't had the chance. And when I saw
The Dark Night, I really wanted to compare the two Jokers. Everyone was on the Heath Ledger bandwagon (I was as well), but in 1989 everyone was the on the Jack Nicholson bandwagon.
So here is my
uber-geeky attempt to compare the two films. Enjoy.
Leading Lady vs. Leading LadyThis comparison is like asking me if I would rather watch a never-ending loop of the romatic scenes in
Twilight or
The Lake House; do I really have to pick? Kim
Basinger is absolutely awful in this movie except for maybe 1 or 2 scenes. Maggie
Gyllenhal is similarly bad. Yes, I know, everyone thinks she's great. But she over-acts almost everything, and there was a clear lack of chemistry between her and Bale. (Not
surprising, seeing that he's a big jerk.) Winner: TDK, only because
Bassinger sucked worse.
Alfred vs. AlfredThough Michael
Gough is very good in Batman, Michael
Caine is awesome in his limited role in
TDK. He's awesome in everything. Whether it's playing an eccentric isolationist in
Children of Men, or a funny
pageant coach in
Miss Congeniality. He always delivers. Winner: Sir Michael
Caine, by a hair.
Director vs. DirectorAgain, I thought Christopher Nolan would easily come out on top, but Tim Burton was closer than I thought.
Batman is an awesome film, and very well done. Infusing it with Prince music is annoying 20 years later, but made some sense at the time. Still, Nolan's vision has lifted superheroes movies beyond just comic book/action fare. Winner: TDK, but closer than you think.
Gotham vs. GothamIn Burton's vision, Gotham is a surreal city infusing a 1950s style (fedora hats everywhere) with a 1980s vibe (Prince music and selected modern amenities). The buildings, the streets, the people, all seem to come from a combination of eras. His Gotham is haunting, beautiful and very comic book-
esqe.
Nolan's version is a dark, post-modern city. Filmed mostly in Chicago, Gotham looks gritty and real, from a car chase under a an overpass bridge, to the hospital Joker blows up. Like Burton, it seems like Nolan eyes every detail to make sure the city supported his gritty, dark tale.
Winner:
Batman. Burton's vision is more distinctive and feels more like Gotham to me. TDK's Gotham feels too much like Chicago.
Batman vs. BatmanBefore I
re-watched Batman, I would have given it to Christian Bale hands down. He brought a coolness to Bruce Wayne and a dark menacing to Batman. But I had forgotten how well Michael Keaton did. His Bruce Wayne isn't a classic, flamboyant playboy, but more
nuanced and subtle, as his his Batman.
I know this will go against modern sensibilities, but Keaton was better. Winner: Batman
Joker vs. Joker
This is the big one. Heath Ledger rightfully received major accolades for his performance as the Joker. After watching it a second time, it's hard to believe this is the same guy who's breakout performance was
10 Things I Hate About You, and then received acclaim for
Brokeback Mountain. Ledger played the Joker as a more modern Joker, in no way related to the 1950s Joker, a
complete physcopath.
Jack Nicholson's performance was similarly acclaimed in 1989. His Joker was a combination of his classic, crazy persona and a classic Joker. The result is a dark, funny character, who, while not as dark as Ledger's Joker, is hardly someone you'd want to bring home to mom, unless you're a Manson.
But Nicholson's Joker was Nicholson with make-up and a few good one-liners. A fantastic performance, but it was an entire level behind Ledger, who is now the iconic Joker and the ultimate superhero villain performance, surpassing the greats (including Gene Hackman's Lex Luthor in 1978's Superman, and Ian McKellen's Magneto in the X-Men movies). Verdict: Heath Ledger is the Joker.
Overall
Batman was a great film. I've watched it probably 15 times, and I've never gotten sick of it. There's nothing glaringly wrong with the film except Bassinger and the fact that it spawned three awful sequels. (Everyone knows Patrick Stewart should have been Mr. Freeze, not Arnold! Where's my Delorean?)
The biggest gripe I have with TDK is that it is too dark. Was it a great film? Yes, but I don't think it was as good as Batman Begins, and when I left it after seeing it the first time, I left feeling depressed, not pumped. And when I leave a superhero movie, I want to be pumped.
But I can't ignore how good of a film TDK was; it's so well done, and I enjoyed it more the second time, especially with the expectation of the film's melancholy tones.
But what separates the two films is Heath Ledger. His performance makes TDK Batman's superior, if only by a little. And I would take either of these films over anything I saw in the theater this year. (That's right, G.I Joe, I'm talking about you.)